My visit: August 2022.
Cost: Free !
What was it?
Yayoi Kusama’s solo show featuring her immersive installations the Infinity rooms and Chandelier of Grief at Tate Modern, London. Alongside the immersive pieces were film pieces, photographs/ portraits of Yayoi and some other sculptural work.
Why it mattered?
It was sooo hard to get tickets for this, it was exciting to have it planned so far in advance – I had never pre-booked an exhibition like this before. In the end Tate extended the exhibition duration as it was so popular, so I went back a second time. The second time around I appreciated it more, especially the portraits of Yayoi and the other pieces aside from the immersive installations. The photos, performance art and sculptures show a more raw unpolished side of Yayoi’s work.
My takeaway:
The infinity room was disorientating with a pool of water by your feet yet it was really peaceful. We were given a time limit so that did add a slight pressure to it. I think it’s pure, simple yet so complex all in one. I know people can slate the infinity rooms for being a trendy aesthetic but Yayoi’s art from the 50s/60s has naturally progressed beautifully over the years.
Vibe:
One of the busiest exhibitions I have been to. Felt more touristy than just relaxed art viewing. However, I had a blast. It was incredible experience and I thoroughly enjoyed seeing Yayoi’s journey in New York with her earlier sculptures and performance art.
